MÉTAMORPHOSE
Papa Samba Ndiaye s’interroge sur l’évolution des critères de beauté à travers le maquillage et les tresses des femmes africaines et plus particulièrement des femmes peuhles. Les scarifications ethnologique longtemps pratiquées par certaines tribus africaines pour signifier le passage de l’enfance à l’âge adulte, disparaissent et donnent place à des superpositions de plusieurs couches et palettes de maquillage. La mondialisation et la robotisation métamorphosent la femme africaine.
L’artiste constate une perte de valeur qui se manifeste dans ses toiles par une pixellisation de l’image de la femme, un effet de dispersion, d’explosion de pixels. Chaque plaque de pixel fait allusion à la déperdition de valeurs culturelles, du désordre social. L’artiste s'attache à "la revalorisation de tout ce qui perd sa valeur afin de repartir de soi". Il devient le maitre d’œuvre d’un Kintsugi de pixels éclatés qui métamorphose en beauté et répare l’ordre social. Les cicatrices sont sublimées, elles nous montrent le chemin parcouru.
PAPA SAMBA NDIAYE "BEUZ"
Papa Samba Ndiaye, known as Beuz, is a Senegalese visual artist. Born in Gabon, he returned to Dakar at the age of 4, where he grew up without his father. As the youngest of his siblings, he developed a strong bond with his mother, Khady, who became his first muse when he joined the National School of Arts of Senegal. Women—guardians of memory, rituals, and traditional knowledge—quickly became his primary subject of exploration. He questions the evolution of beauty standards through makeup and braiding practices. Ethnological scarifications, once used by African tribes to mark the transition from childhood to adulthood, are fading away, replaced by layers of skin and cosmetic makeup. Beuz observes a loss of values. A low-resolution image, pixelated and devalued, serves as an allegory of his artistic approach. Each pixel plate references the erosion of cultural values and the disruption of social order. The rise of technology is a major source of inspiration that has deeply influenced both his techniques and his artistic gaze. “Revaluing everything that loses its worth in order to reconnect with oneself” is at the core of his preferred themes. His artistic process reflects a tireless pursuit of visual research, revealing different aspects of contemporary expression such as modern reconstruction, artificial intelligence, deculturalization, and more. He intervenes directly on pixelated plates, playing with their appearance, shape, and size to arrange them at will, thus contributing symbolically to the reordering of society. Background Holding a Master's degree in English from Cheikh Anta Diop University in Dakar, Papa Samba Ndiaye is also a graduate of the National School of Arts of Senegal. He worked as a visual arts teacher at the CEMT Hamilcar Cabral school in Ziguinchor. A cultural trainer and English instructor, he founded the English Club at Lycée Moderne de Dakar (Ly.Mo.Dak.). He has participated in higher education programs through incubation initiatives and artist residencies. As a project management consultant and collaborator, he is a member of the YALI Network (Young African Leaders Initiative, funded by the U.S. government), the manager of Give1 Art, and is in charge of the visual arts platform in southern Senegal. Papa Samba Ndiaye has exhibited both nationally and internationally. In September 2015, he won the "Five Years Painting" award in Washington, D.C., organized by Give1 Project, created by Thione Niang. He took part in group exhibitions in Saint-Louis, at Quai Henry Jay, Île du Sud, during the 12th edition of the Dakar Biennale in 2016 and again in 2017. More recently, he was selected for the official "IN" program of the 13th edition of the Dakar Biennale in 2018 at the Senegal Pavilion. In 2019, he was among the winners of the 10th edition of the Senegal National Visual Arts Salon, selected as one of 47 artists from across the country’s 14 regions.
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MÉTAMORPHOSE

ENDURANCE, 2012
Signée, titrée, encadrée
Technique mixte
140 x 100 cm
Pièce unique
Vendu

PASSAGE 1, 2022
Signée, titrée, encadrée
Acrylique sur toile
210 x 150 cm
Pièce unique

PASSAGE 2, 2018
Signée, titrée, encadrée
Acrylique sur toile
150 x 130 cm
Pièce unique
Vendu

PASSAGE 3, 2018
Signée, titrée, encadrée
Acrylique sur toile
150 x 130 cm
Pièce unique
Vendu

MÉTAMORPHOSE, 2022
Signée, titrée, encadrée
Acrylique sur toile
163 x 135 cm
Pièce unique
Vendu

MORPHO 1, 2022
Signée, titrée, encadrée
Acrylique sur toile
210 x 140 cm
Pièce unique

RACINES, 2017
Signée, titrée, encadrée
Technique mixte sur papier marouflé
102 x 93 cm
Pièce unique
Vendu

SÉQUELLES, 2015
Signée, titrée, encadrée
Acrylique sur toile
190 x 150 cm
Pièce unique

MORPHO 3, 2022
Signée, titrée, encadrée
Acrylique sur toile
90 x 45 cm
Pièce unique

TRAJET, 2018
Signée, titrée, encadrée
Acrylique sur toile
150 x 150 cm
Pièce unique

MORPHO 2, 2022
Signée, titrée, encadrée
Acrylique sur toile
90 x 45 cm
Pièce unique
Vendu

TRANSMISSION, 2018
Signée, titrée, encadrée
Acrylique sur toile
150 x 150 cm
Pièce unique

