HER PRESENCE
On the occasion of Women’s History Month and as part of the Women-Led Galleries Now initiative by Artsy, Hoop Galerie presents Her Presence, an exhibition bringing together Kiné Aw, Victoria Oniosun, Klervie Mouho, and Abdulazeez Ganiyat around a shared conviction: feminine presence shapes the narratives, memories, and spaces it inhabits.
In the work of Kiné Aw, this presence unfolds within a mythological and spiritual dimension. Nourished by ancestral symbols and African traditions, the female figure becomes a thread of continuity between heritage and modernity, between rootedness and emancipation.
Victoria Oniosun explores presence as an inner territory. Through thick, layered paint, she gives bodies a strong physical and emotional density, transforming the landscape into a mental space where intimacy and identity intersect.
With Klervie Mouho, presence is constructed through memory. Her anonymous figures and vibrant colors recompose fragments of personal and collective histories, affirming the right to redefine one’s own narrative.
Finally, in Ganiyat’s work, presence is expressed through connection. Through intimate family scenes imbued with tenderness and transmission, she shows that strength lies in shared care, protection, and continuity between generations. Painting becomes a space for collective healing.
Through these practices, Her Presence reveals a plural feminine presence — spiritual, interior, memorial, and relational — a quiet force that transforms the way we see and inhabit the world.
Kiné Aw
Born in Dakar in 1977, Kiné Aw – her full name is Fatou Marie Françoise Aw – spent part of her childhood in Kinshasa, Democratic Republic of Congo. It was this childhood, marked by the artistic and cultural vibrancy of the Congolese capital, that ignited a lasting passion for art within her. Graduating from the École nationale des Beaux-Arts in Dakar in 2006, Kiné Aw settled in the Village des Arts in Dakar, where she works in her studio, which she describes as her 'laboratory,' a place for creation and experimentation.
Kiné Aw’s work is distinguished by a subtle dialogue between tradition and modernity. Her pieces interrogate ancestral African values while engaging in a reflection on the interactions and transformations of the contemporary world. Inspired by surrealism and cubism, she develops a unique style characterized by the significance of curved lines.
The woman, in all her complexity and multifaceted nature, remains at the center of her artistic approach. Through her art, Kiné Aw explores the struggles, rights, desires, and aspirations of women confronted with the challenges of a changing society where modernity and ancestral heritage intersect. Her work highlights the tensions between rootedness and emancipation, inviting reflection on the place of African women in a world in perpetual transformation.

HER PRESENCE - KINÉ AW

KINÉ AW
Bedik #4, 2026
Signed, titled
Mixt media
64 x 50 cm
Unique piece

KINÉ AW
The mask, 2026
Signed, titled
Mixt media
50.5 x 50 cm
Unique piece

KINÉ AW
Rituel, 2021
Signed, titled
Mixt media
50 x 35 cm
Unique piece

KINÉ AW
Fusion maternelle, 2026
Signed, titled
Mixt media
50.5 x 35.5 cm
Unique piece

KINÉ AW
Bedik #3, 2026
Signed, titled
Mixt media
64 x 50 cm
Unique piece

KINÉ AW
Elle, 2022
Signed, titled
Mixt media
50.5 x 40.5 cm
Unique piece

KINÉ AW
The birds, 2022
Signed, titled
Mixt media
50 x 35 cm
Unique piece

KINÉ AW
Roots, 2021
Signed, titled
Mixt media
41 x 33 cm
Unique piece

KINÉ AW
Grandma, 2018
Signed, titled
Mixt media
41 x 33 cm
Unique piece
VICTORIA ONIOSUN
Victoria Oniosun Erioluwa (born 1998 in Oyo, Nigeria) is a contemporary painter whose work explores inner landscapes, femininity, and the construction of personal and collective identity in today’s society.
She holds a Bachelor’s degree in Fine and Applied Arts from Obafemi Awolowo University, Ile-Ife (2022), and a Master’s degree from the University for the Creative Arts, Canterbury, UK. Her practice is primarily expressed through painting. She currently lives and works between Canterbury and Folkestone, United Kingdom.
Victoria Oniosun develops a highly material and tactile body of work, characterized by thick, layered paint applied with a palette knife.
Her work questions the place of women, notions of belonging, and the tensions between intimacy and the external world. The landscapes she paints are never purely descriptive; they function as mental spaces — places of refuge, reconstruction, and contemplation. Through a palette dominated by organic tones and subtle contrasts, she constructs a deeply human visual language, leaving space for the viewer’s own interpretation.

HER PRESENCE - VICTORIA ONIOSUN

VICTORIA ONIOSUN
Softness for me, 2026
Signed, titled
Acrylic on canvas
40 x 30 cm
Unique piece

VICTORIA ONIOSUN
Tending to me, 2026
Signed, titled
Acrylic on canvas
40 x 30 cm
Unique piece

VICTORIA ONIOSUN
The love I carry, 2026
Signed, titled
Acrylic on canvas
30 x 30 cm
Unique piece

VICTORIA ONIOSUN
In full bloom, 2026
Signed, titled
Acrylic on canvas
42 x 42 cm
Unique piece

VICTORIA ONIOSUN
Season of her, 2026
Signed, titled
Acrylic on canvas
40 x 30 cm
Unique piece

VICTORIA ONIOSUN
Held in bloom, 2026
Signed, titled
Acrylic on canvas
40 x 30 cm
Unique piece

VICTORIA ONIOSUN
Petals & promise, 2026
Signed, titled
Acrylic on canvas
40 x 40 cm
Unique piece

VICTORIA ONIOSUN
Season, 2026
Signed, titled
Acrylic on canvas
42 x 42 cm
Unique piece
ABDULAZEEZ GANIYAT
Abdulazeez Ganiyat Abosede (b. 1996, Lagos) is a Nigerian visual artist whose practice explores healing, resilience, and memory through contemporary portraiture. She earned her National Diploma in 2017 and her Higher National Diploma in 2021 from the prestigious Yaba College of Technology. While she works across various media, oil painting remains her preferred medium.
Her recent works are distinguished by the recurring presence of clover leaf and Jatropha multifida (coral plant), a floral motif deeply connected to her childhood and to the plant’s widely recognized medicinal properties. In her portraits, this plant becomes a powerful symbol of restoration and regeneration — a metaphor for physical, emotional, and spiritual healing.
Through calm yet dignified figures, Ganiyat conveys the universal human need for healing, transcending social and racial boundaries. Her works have been collected both locally and internationally.

HER PRESENCE - ABDULAZEEZ GANIYAT

ABDULAZEEZ GANIYAT
When the wind feels like a melody, 2025
Signed, titled
Oil on canvas
122 x 96 cm
Unique piece

ABDULAZEEZ GANIYAT
The weight of her silence, 2026
Signed, titled
Oil on canvas
35 x 30 cm
Unique piece

ABDULAZEEZ GANIYAT
Echoes of her aura, 2026
Signed, titled
Oil on canvas
35 x 30 cm
Unique piece

ABDULAZEEZ GANIYAT
At Meemaw's place II, 2025
Signed, titled
Oil on canvas
122 x 96 cm
Unique piece

ABDULAZEEZ GANIYAT
Sacred in form, 2026
Signed, titled
Oil on canvas
35 x 30 cm
Unique piece

ABDULAZEEZ GANIYAT
The art of being her, 2026
Signed, titled
Oil on canvas
35 x 30 cm
Unique piece
KLERVIE MOUHO
Klervie Mouho is an Ivorian-French artist and designer.
Born in Côte d’Ivoire and raised in Abidjan, she later moved to Angers, France, where she graduated with distinction from the École des Beaux-Arts d’Angers (TALM) in 2021. In 2023, she completed a Master’s degree in Visual Communication at the Zürcher Hochschule der Künste (ZHdK) in Zurich.
Mouho works primarily with pastel drawing, alongside painting and photography. Her practice explores memory as a shifting, layered territory — where personal recollections intersect with collective history. She draws from both intimate family archives and broader socio-political contexts, including memories of political unrest and military uprisings in Côte d’Ivoire during her childhood.
Through this process of transformation and reinvention, Mouho blurs the boundaries between documentation and fiction, allowing memory to become both fragile and resilient — a space where personal history and collective experience quietly converge.

HER PRESENCE - KLERVIE MOUHO

Klervie Mouho
L'apprentissage, 2025
Signed, titled
Oil pastel on paper
70 x 70 cm
Unique piece

Klervie Mouho
La vaisselle 2, 2025
Signed, titled
Oil pastel on paper
50 x 50 cm
Unique piece

Klervie Mouho
Fragments 24, 2025
Signed, titled
Oil pastel on paper
30 x 30 cm
Unique piece

Klervie Mouho
Fragments 27, 2025
Signed, titled
Oil pastel on paper
30 x 30 cm
Unique piece

Klervie Mouho
Regards 26, 2025
Signed, titled
Oil pastel on paper
20 x 20 cm
Unique piece

Klervie Mouho
Grand-mère est souvent à la maison, 2025
Signed, titled
Oil pastel on paper
50 x 50 cm
Unique piece

Klervie Mouho
Être vue, 2025
Signed, titled
Oil pastel on paper
30 x 30 cm
Unique piece

Klervie Mouho
Fragments 25, 2025
Signed, titled
Oil pastel on paper
30 x 30 cm
Unique piece

Klervie Mouho
Fragments 7, 2024
Signed, titled
Oil pastel on paper
30 x 30 cm
Unique piece

Klervie Mouho
Regards 26, 2025
Signed, titled
Oil pastel on paper
20 x 20 cm
Unique piece

Klervie Mouho
Regards 33, 2025
Signed, titled
Oil pastel on paper
20 x 20 cm
Unique piece
